Roy Harris
Back Main Floor Plan Up Next

 


Main Floor Plan
Up
 

Roy Harris (1898-1979)

roy harris.jpg (119737 bytes)

TRANSCRIPTION

Mills College
Oakland, Calif.

Dearest Friend Arthur1:

        I owe you tons of pages of correspondence-- will write soon. Have been working very hard-- lectures--composition. Just finished by far the best thing I have done-- Prelude 6 minutes, Chorale (8 minutes) and Fugue (8 minutes) for 2 violins, 2 violas, 2 cellos. I shall call the Fugue-- "Finale" because it is so free-- the pedants always expect a "fugue de ecole." Writing soon--

Love to You and Family

Roy and Hilda

P.S. Wasn't George Eastman's suicide2 an ironic publication of how much music did not mean to him-- These hidden motives are dangerous to flirt with.

1. "Arthur" is composer and Harris' teacher Arthur Farwell (1872-1952). Farwell referred to Harris as an "American genius" in an article published in Musical Quarterly (January 1932) (Baker's, 7th Ed., p.953). 

2. Though this letter is not dated by Harris, it is known that George Eastman, manufacturer of the KODAK camera, committed suicide on March 14, 1932.

 

ABOUT THE COMPOSER

    Roy Harris was born near Chandler, Oklahoma on February 12, 1898. He spent most of his childhood with his parents in rural Oklahoma. He became well acquainted with the regular chores of working on a farm. Later he found employment as a truck driver, a profession that sustained him for a number of years, through his college days at the University of California and while he was studying composition in Los Angeles with another American composer, Arthur Farwell. Apparently Farwell (see letter above "Dear Friend Arthur...") had a great influence on Harris' early direction as a composer. It was Farwell who encouraged Harris to seek a unique, personal style of composition.

    Harris's first attempts as a composer attracted little interest, but in 1925, Harris won first prize for his Andante for Strings. The contest had been sponsored by the New York Philharmonic, so Harris soon left California for New York. While in New York, he met yet another American composer, Aaron Copland, who encouraged Harris to go to France and study with Nadia Boulanger as had he. Harris did so and while in France wrote a Concerto for piano, clarinet, and string quartet that immediately brought him acclaim as one of the brightest American composers.

    Harris returned to California in 1930 and composed several chamber and orchestral works. The new composition was markedly American, described by most critics as containing "broad sweeping melodic lines." He used American folk music and hymns melodies, although his settings included dissonant chords and unusual rhythms.

    A huge break came for Harris in 1933 when the respected Russian conductor Serge Koussevitzky commissioned Harris to write his first symphony. He would eventually write 15 symphonies, but it was his Symphony No. 3, which Koussevitzky premiered in 1939, that earned Harris his greatest reputation. The Third Symphony has been called the greatest American symphony. Some other works from this period include the overture When Johnny Comes Marching Home, the Piano Quintet, the Folk-Song Symphony, and the Fifth Symphony.

    Harris wrote over 200 works and for those he received many honors. Among them were the Elizabeth Sprague Coolidge Medal, a Naumburg Award for his Symphony No. 7, election to the American Institute and Academy of Arts and Letters, and the title of Composer Laureate of the State of California. Additionally, he taught at Princeton, Cornell, Peabody College for Teachers, Indiana University, and UCLA. Two of his most prominent students were William Schuman and Peter "P.D.Q. Bach" Schickele. Harris died in Santa Monica, California on October 1, 1979.

Rev. 07/20/2004

BACK TO AMERICAN ROOM

 

The contents and use of this website are protected by copyright law.
For further information, please see "Use and Duplication of Items On This Website."
The Morrison Foundation for Musical Research, Inc.